uit: Arts Talk Magazine
3 april 2019
There is a perfect fusion between form and narration, with an ambient musical background that, in some moments, turns into an insistent ticking clock, recalling the inevitable passage of time. As in real life, even on stage the bodies are sometimes absolutely distant, other times so close as to become a single entity, the completion of each other. There is a certain sensuality in seeing a body that follows the movements of the other with grace but also with decision.